The objects of the installation refer to the mimesis of human nature. They invite us to participate in their narrative, or are they just imitating our lives? We look at them, we want to approach them, and we can identify with them, but we can hardly access their interaction, performance, or plot. "Mimeze" installation denotes the symbolic relationship of art and design towards reality, not only through mere imitation. Through ambiguous forms, personalities, intentions, and desires are revealed, and the separate reception of the public abolishes the boundaries between imitation and stylized design.

The bodies of the table, chairs, and candle chandeliers are distorted to the extent of self-sufficiency and closure in their world. They still invite us to have a conversation. They address everyone, uniting differences.

The experiences of the choreographic and scenography work of the designer Martina Granić are woven into the concept of inverted furniture. In the material of "wood veneer" aesthetics, in the era of interior design with clean forms and the renewal of the trend of modern interior architecture, "Mimeze" reinterprets the Post-modern. They are inspired by the ironic, surprising, and critical Italian Radical Design movement in the 1960s and 1970s. Objects could constantly develop, finish, and turn into furniture, parts of scenography space, or art installations.