WED 6–9PM
THU–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 2AM
TUE 6–9PM
WED–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 12PM
*Studio Orson Welles
Studio Orson Welles
Jadran film
Studio Orson Welles
Ul. Rudolfa Kolaka 12
10000 Zagreb
TUE 6–9PM
WED–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 12PM
WED 6–9PM
THU–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 2AM
The project is based on the poem The Consolation of Hair by Antun Gustav Matoš. The poem’s verses, though gentle, carry a sense of depth and dreamlike presence, embracing a majestic notion of death. In this spirit, a visual interpretation was created—a series of six illustrations that follow the poem’s narrative and translate its emotions into imagery. Each illustration can be viewed independently as a standalone poster or artwork, yet together they form the rhythm and flow of the poem. The ink lines are light, fragile, and full of unease, revealing traces of presence. Beneath the drawings, floral fragments emerge, evoking dreamlike or imagined idylls, or death itself. The two layers merge, yet retain a tension between them, much like Matoš’s reflections on death and its personal meaning. In that in-between space lies death, but also the serenity of its acceptance.
Lucija Višković (born 2000) is a student at Juraj Dobrila University of Pula. She credits sports with shaping her essential traits, perseverance, responsibility, organization, and consistency, which she brings into her work in visual design. She is particularly motivated by processes that combine discipline with imagination, exploring limits and testing new possibilities. For her, creativity is a space of freedom and a balance between control and spontaneity. She actively participates in various student projects, where she nurtures a detailed and thoughtful approach to design.