WED 6–9PM
THU–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 2AM
TUE 6–9PM
WED–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 12PM
*Studio Orson Welles
Studio Orson Welles
Jadran film
Studio Orson Welles
Ul. Rudolfa Kolaka 12
10000 Zagreb
TUE 6–9PM
WED–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 12PM
WED 6–9PM
THU–FRI 2–9PM
SAT–SUN 11AM–9PM
*garden 2AM
This experimental book is based on The Court of Frost and Starlight by Sarah J. Maas and visually explores the healing process of a city, community, and its main characters in the aftermath of war. The book opens with fragmented text placed within graphical cracks that run across the pages. As the reader progresses, these cracks gradually fade, and the text returns to a standard layout, symbolizing emotional and physical recovery.
Multiple typefaces of varying weights, styles, and sizes are used to express broken spaces, fractured relationships, and internal pain. While the number of fonts remains consistent, visual distortions such as crossing out, skewing, and underlining decrease over time. However, they never disappear entirely, emphasizing the permanent marks left by war.
The cover features the largest crack, containing only an outline of the title without additional text. The design stretches across both front and back covers, and the full title is only visible when viewing the book as a whole. Only black and white are used, highlighting the importance of form and structure. Typefaces and typographic distortions from the interior are also incorporated into the title design, forming a cohesive visual narrative.
Antonija Hamer is a second-year undergraduate student of Media Design at the University North in Koprivnica. She completed her secondary education at the II Gymnasium in Varaždin, where she developed an early interest in visual communication and art. In her work, she focuses primarily on poster design and conceptual books that carry deeper meaning and encourage reflection. She draws inspiration from everyday themes, interpreting them through a personal and introspective lens. At Zagreb Design Week, she presents a work that merges education, personal interest, and a strong narrative approach to design.